Statement
Manchester School of Architecture has long been one of my top-choices, due to the pursuit in professionalism and multicultural learning environment. In terms of professionalism, the school’s persistence on passing on not only theories but also practical experience has nurtured generations of all-rounded architects. While pro-active lectures help to provoke my minds, the studio courses, on the other hand, could arm myself with hands-on skills crucial to future commitments. The multicultural environment allows me to connect with people from all backgrounds to facilitate cultural exchange. Despite Manchester being an industrial heritage, its vibrancy continues to give a wealth of inspiration to people. Therefore, I am keen on immersing myself in such a city of imagination and inspiration.
In summer of 2017, I went to Angkor Wat. There I was exposed to stories behind quaint structures. The temples there illustrates stories of the past, and I was astonished by the sense of limitlessness. Zoomed in, the details carved by the architects on the intricate patterns and paradoxical structures entranced me. The architectures are not just brick-and-mortar buildings, but a living culture. They tell stories about the place and the people. To me, architectures should connect the past with the present, embellish the beauty of modern and old, while also bridge oriental with western culture. A building like Angkor Wat does not have to be a high-rise commercial building that symbolizes power and money like most buildings in Hong Kong. My goal is to sustain human with the environment, yet ensuring an equitable economy. To combine humane elements with building and solve social problems are the pivotal elements of architecture. It is important to observe from the environment.
Mr Shigeru Ban is the architect that I admire. Being an under-resourced Japanese pioneer, he started from scratches but is now a reputed architect. I really fond of his effort in humanitarian needs, that he shares his work without hesitation with the victims from hazards. He brings up the idea of ‘contribution’ which is admirable. Contributing back to society is an obligation and a motto that worths keeping. I also admire his doctrine in minimalism and advocate in mingling architecture with the environment to exert less damage to nature. His ideas are inspiring, as caring about the environment is what I wish to achieve being an architect.
In the future, I would like to see the Dancing House (Nationale-Nederlanden) in Prague with my cohorts. It fascinates me in its bizarrely elegant outlook, a bit playful, yet fits well into the surroundings. I was attracted by its rebellious characters which do not compare to any definite architectural styles, especially in Prague, where definite styles were a big part. This inspires me to think out of conventional boxes, as ideas are limitless.
In summer of 2017, I went to Angkor Wat. There I was exposed to stories behind quaint structures. The temples there illustrates stories of the past, and I was astonished by the sense of limitlessness. Zoomed in, the details carved by the architects on the intricate patterns and paradoxical structures entranced me. The architectures are not just brick-and-mortar buildings, but a living culture. They tell stories about the place and the people. To me, architectures should connect the past with the present, embellish the beauty of modern and old, while also bridge oriental with western culture. A building like Angkor Wat does not have to be a high-rise commercial building that symbolizes power and money like most buildings in Hong Kong. My goal is to sustain human with the environment, yet ensuring an equitable economy. To combine humane elements with building and solve social problems are the pivotal elements of architecture. It is important to observe from the environment.
Mr Shigeru Ban is the architect that I admire. Being an under-resourced Japanese pioneer, he started from scratches but is now a reputed architect. I really fond of his effort in humanitarian needs, that he shares his work without hesitation with the victims from hazards. He brings up the idea of ‘contribution’ which is admirable. Contributing back to society is an obligation and a motto that worths keeping. I also admire his doctrine in minimalism and advocate in mingling architecture with the environment to exert less damage to nature. His ideas are inspiring, as caring about the environment is what I wish to achieve being an architect.
In the future, I would like to see the Dancing House (Nationale-Nederlanden) in Prague with my cohorts. It fascinates me in its bizarrely elegant outlook, a bit playful, yet fits well into the surroundings. I was attracted by its rebellious characters which do not compare to any definite architectural styles, especially in Prague, where definite styles were a big part. This inspires me to think out of conventional boxes, as ideas are limitless.
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